Kimbra is only 22, but she already has everything it takes to become a huge success. The New Zealand singer is charming, beautiful, has a fantastic voice and steals the show whenever she's performing, including alongside Gotyein his ubiquitous hit "Somebody That I Used to Know." Her solo debut, Vows, is audacious and powerful, and she even treated us to a brand-new song — the super-funky "Come Into My Head" — when she visited our studios.
If the classical music record industry is trouble, you'd never know it by looking at my desk, or that of my colleague Anastasia Tsioulcas — mountains of good old-fashioned compact discs, ready for listening. And our digital space is also getting crowded by more and more downloads. It all adds up to a super broad range of music and musicians. As the year is half over, we've taken stock of a few (of our many) favorites and surprises so far. Listen to our discussion above and hear longer excerpts below of some of the best classical releases of 2012.
When he was around 13, Robert Charles Guidry began singing with a band around his hometown of Abbeville, La., deep in the Cajun swamps. The group played Cajun and country music and, after he passed through town and played a show, Fats Domino's music. It was a life-changing experience for the young man, and he found himself with a new ambition: to write a song for Fats.
Originally published on Tue October 2, 2012 9:53 am
Even before the gates had opened on the first day of the Sasquatch! Music Festival over Memorial Day weekend, we managed to get backstage of the Gorge Amphitheater to capture a live session with one of the hottest new bands to hit the festival circuit, Of Monsters and Men. No strangers to natural beauty, the Icelanders were nevertheless stunned by the picturesque backdrop of the Gorge as they performed "Mountain Sound," one of the new songs added to the American release of their debut album.
Originally published on Tue September 18, 2012 6:40 pm
I'm spending June in New Orleans, digging into the soft wet earth of American music. A week in, I feel like I've barely begun to explore. The minute I try to say what draws me to New Orleans music, I realize that the core of it is always changing. It's not just the variety, though I love that in the first few days here, I caught classic blues on Frenchmen Street, a wild bounce night downtown, my longtime favorite Susan Cowsill singing Dusty Springfield covers in the Garden District, and a brass band on the corner in the French Quarter.