The concept behind Ghettos and Gardens is simple: pretty strings over gritty basslines; dainty vocals atop punchy percussion; beautiful and foul servings of 4/4 beats. Justin Martin puts it this way:
"When creating music I usually set out to sweep the listener away with beautiful melodies only to lead them to earthshattering bass lines."
It's something he's done time and time again with singles released on the Dirtybird label, a San Francisco-based beacon of oddball house music, and it's what he does on "Don't Go," the first single off of his new debut album.
Originally published on Fri January 25, 2013 9:33 am
Belinda Smith makes her first appearance on Mountain Stage, recorded on the campus of West Virginia Wesleyan College. A hometown favorite, Smith is a graduate of Wesleyan and a West Virginia native who relocated to Nashville in 1997 to pursue a career as a session singer and songwriter.
Rodrigo y Gabriela plays everything from heavy metal to jazz to acoustic folk. The duo started out in a thrash-metal band in Mexico City, but moved to Dublin in 1999. From Ireland, its inventive instrumental music spread to the U.K., then to Europe and the U.S. before finally finding its way back to Mexico. Rodrigo y Gabriela's big break came in 2006, when the pair's self-titled debut topped the Irish charts.
Since his emergence in the mid-2000s, Diplo has climbed to a position rare among electronic artists: He's a DJ known by people who don't follow electronic music. Producing M.I.A.'s Grammy-nominated "Paper Planes" gave him a leg up, but much of his success stems from his curatorial impulse: Diplo's music finds crowd-pleasing ways to incorporate and shine a light on lesser-known sounds like Brazilian baile funk and Jamaican dancehall.
This Saturday, 200 buglers will assemble at Arlington National Cemetery to begin playing "Taps," a call written 150 years ago this year.
Retired Air Force Master Sgt. Jari Villanueva, a bugle player, says he started out as a Boy Scout bugler at about age 12. He went on to study trumpet at the Peabody Conservatory before being accepted into the United States Air Force Band — where one of his duties over the next 23 years was to sound that call at Arlington National Cemetery.