Jason Mraz's 2008 single "I'm Yours" was a multiplatinum global hit. In fact, it set a record by staying on Billboard's Hot 100 chart for 76 weeks — more than any other song in the magazine's 51-year history.
Although Mraz's new record, Love Is a Four Letter Word, was written on the heels of a breakup, the songs are mostly sunny and positive. Mraz says he was more interested in making something relatable than in zeroing in on his own experiences.
Okemah, Okla. — the birthplace of Woody Guthrie — has another musical native son to call its own. John Fullbright's recordings mix folk, country and blues, and his lyrics often tackle big-picture topics.
"I grew up with a lot of questions that couldn't really seem to be answered," Fullbright tells NPR's Rachel Martin. "Why are we here? Did some higher power make all of this? Did he make me? And songwriting is kind of your own voice, your strongest voice, that you can use to ask yourself those questions."
Although it always seems fashionable to forecast the downfall of classical music, enterprising musicians both young and not so young continue to make deeply satisfying recordings. For this visit to weekends on All Things Considered, I was delighted to uncover the little known (at least in this country) Jorge Luis Prats, a terrifically talented Cuban pianist whose once uncertain career appears to be resurging — at 55, he has signed a handsome record deal. Then there's The Knights, a young chamber orchestra with a postmodern take on Schubert.
The young Danish musicians Elias Ronnenfelt and Loke Rahbek make songs that sound like dance music played through a long PVC tube filled with steel wool and muddy gauze. Lo-fi, punk-inspired sounds are in the duo's musical DNA: Ronnenfelt also plays in the band Iceage and Rahbek sings for Sexdrome and runs the Copenhagen-based punk label Posh Isolation.
Originally published on Tue September 18, 2012 5:02 pm
From the first downbeat of the first Center City Jazz Festival in Philadelphia, you could hear history in the air — and maybe history being made.
The Wade Dean Enspiration, a gutsy young quintet, led off the festival with "Gingerbread Boy" by Jimmy Heath, one of Philly's many homegrown jazz legends. It was 1 p.m. last Saturday, and the dim carpeted room upstairs at Fergie's Pub was starting to fill up.