The name of the band refers to Ken Peplowski, a Swing-era specialist; Evan Christopher, a living historian of the New Orleans Creole clarinet; and Anat Cohen — what doesn't she do? They're not the only ones on stage, of course — they'll be backed by a band which knows the time-honored and broad-shouldered methods of swing. This reedy convocation on the state of the clarinet today was put together for Newport, and — on the birthday anniversary of Louis Armstrong — was filled with ad lib fireworks.
After a sunny, warm afternoon on the Rhode Island shore, the first full day of the 2012 Newport Jazz Festival has come and gone. If you've got a free moment, you can already replay many of the sets we recorded online. But starting at 11:00 a.m. ET on Sunday, we'll be presenting eight more hours of live video from the festival at npr.org/newportjazz. Here's what's on tap:
Originally published on Sat August 4, 2012 6:43 pm
Bill Frisell is a soft-spoken guy who does a lot of talking with his guitar — and its pedals and effects. So perhaps it's appropriate that he recently issued an album called All We Are Saying, an collection of John Lennon songs. Though he's known primarily for working with other improvisers, he's of the Baby Boomer generation, and he doesn't hide his love for Beatles songs away. With a band including steel guitar (Greg Leisz) and violin (Jenny Scheinman), Frisell doesn't reinvent the wheel — but he certainly gives it a new spin.
Darcy James Argue's Secret Society Live From Newport
The composer Darcy James Argue has steadily been rescuing the big band from the dustbin of anachronism through a combination of enormously open ears and a gigantic well of patience. But it's paying off: After the release of his debut album Infernal Machines, the greatness of the Secret Society became an open secret, and his "co-conspirators" have now recorded a much-anticipated sophomore album. Eighteen of them give us a taste, including a peek at the Brooklyn Babylon project, originally designed for live music and live painting.